We have selected a part of a take, since although you can work on long segments, it’s easier to use a shorter clip. VariAudio works best on monophonic vocals or other single sounds, and in this example we’ll be using a female lead vocal part. Let’s see why these could be important to your productions. ![]() ![]() The two biggest changes are the ability to create harmonies quickly and easily, and to edit multiple VariAudio parts in the same editor window. In Cubase 7, VariAudio 2.0 takes things to the next level. In short, audio became a lot more like MIDI. The implications were huge: a vocal take was no longer set in stone, nor were you at the mercy of Auto-Tune to sort out problems. For the first time you could edit notes within a waveform inside Cubase without using a third-party plug-in such as Melodyne, rendering audio truly elastic and letting you alter pitch and timing nondestructively. ![]() VariAudio debuted in Cubase 5 and was something of a revelation for anyone working with vocals and other monophonic audio.
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